Someone asked me what the casita is like inside.
Well, it’s like this:
Despite putting in some long hours at that desk, I am getting to know my way around town – and meeting a few characters. Artists, primarily – because that’s what they have here: artists – and art galleries, dozens of them. In one of them I asked about the economics and got an interesting reply. Sage Fine Art represents the work of ten practitioners. They staff it on a rota basis, display their own work, and share the rental. It seems to work.
A few days ago, after enjoying a glass of Negra Modelo in
the sunshine, I strolled through the plaza area and chatted to a guy from
Islington, London, who has lived here for twenty or thirty years. He had some
interesting stories to tell about his early days in the States, but the most
fascinating was about doing some work with a Cheyenne
from Idaho who, having befriended
him, offered to teach him to play the Native wooden flute. Now he sells flutes and
performs. With his wife, who comes from Isleta Pueblo (south of Albuquerque ),
he runs a shop selling various Native articles. I would guess that most people
in Taos have a back-story worth
hearing. Certainly very few are native to the area. The local population has
expanded a great deal in the past few decades.
I don’t think I mentioned that the residents here got
together for a small party last week, which means I have now met them all – a
playwright, a poet, a couple of novelists, a fellow-writer of non-fiction, and…
the artists, who have larger houses which incorporate studios. We’ve agreed to
meet every Wednesday evening to unwind. Otherwise we hardly seem to see each
other: too busy working.
Okay, it’s 0830, the mud is thawing. I’d better gallop.
Looks a lovely place. Keep writing.
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